The majority of these pieces (23 piano works and 17 songs for voice and piano) were prepared for publication by Fontana. Beautiful and suggestive yet highly subjective piano playing urged performers and teachers to put their interpretative ideas on paper in score editions. The Henle edition has been adopted as base by two of smaller publishers, H. Lemoine (Paris, published since 1990) and K�nnemann (Budapest, published since 1993). L'album Chopin - Oeuvres Pour Piano de Frédéric Chopin : extraits, infos, charts, titres, écouter et télécharger. Most editorial corrections can be easily identified thanks to a system of brackets and small print. 15, op. Recently a corrected version of the Ballades came out under Ekier's supervision, which is based on a much wider variety of sources than the first version of 1967. This tendency is not very widely represented in the 19th century, only becoming prevalent in the second half of the 20th century. in the Etudes), later a poetic emphasis became apparent, betraying the editor's search for a literary programme to Chopin's music. 28 no. During this time publishers who owned copyrights for Chopin's works continued to put of original editions into circulation, adding to them reprints and new editions. Åuvres principales Sonate pour piano no 3 de Chopin (1844) Concertos pour piano n os 1 et 2 (1830) Pièces pour piano seul: Nocturnes , Préludes , 4 Scherzos , Ballades , Valses , Mazurkas , Polonaises , Barcarolle . This view places the Ballades (add. Hofmeister, B. Schott Söhne, Schuberth & Cie, Stern & Cie. Wessel & Co, Cramer, Addison & Beale, Cramer & Co, Chappell. & Stirling, Jane W. (1982). Quoted editions were listed according to their use of musical sources. The very term of a "teaching tendency" should be understood as denoting editions of "practical" or "instructive" character, aiming at making it easier for less experienced musicians to understand the music of Chopin and its interpretation. [Frédéric Chopin; Jane W Stirling; Edouard Ganche; Jean-Jacques Eigeldinger; Jean-Michel Nectoux] The quality of the text in the Cortot edition is unquestionable. 200 Gramm. Apart from Klindworth Brugnoli also quotes Mikuli, Scholtz, von B�low, as well as numerous pianistic "tricks", simplified versions and harmonic enrichments characteristic of the tradition of great virtuosos. Frédéric Chopin, Vladimir Ashkenazy ââ Piano Works, Klavierwerke, Oeuvres De Piano, Vol. Find many great new & used options and get the best deals for FRYDERYK CHOPIN - OEUVRES POUR PIANO SEUL - VOL.03 - EL BACHA NEW CD at the best online prices at eBay! 16 and 17), which were bought in 1834 by M. Schlesinger. After the dissolution of the Brandus house this series passed on to publisher Ph. 2,288 ⦠In 1902 Kleczynski's edition was corrected by Rudolf Strobel, modifications focusing mostly on fingering. 35-41, op. Apart from manuscripts and original editions, the critical commentaries often quote variants from later complete editions; some of these corrections are even placed in the main text. Tweet Share Email Share this project. An objective study of Tellefsen's editorial work reveals that his edition repeats a large number of original editions' errors. Moscou, P. Jurgenson, 1873-1876. Another reason for the appearance of new editions is that editors simply failed to understand Chopin's original notation. They remain the only authentic sources for several Chopin compositions. The most important original editions are those made during the composer's lifetime. This task was undertaken by: T. D. A. Tellefsen (Richault, Paris, 1860), Georges Mathias (Harand, Lemoine A�n�, Paris, c. 1859) and Karol Mikuli (Kistner, Leipzig, 1879). The solution employed by Badura-Skoda, consisting of adding many variants abandoned by Chopin directly in the text of the Etudes, is unpractical and might wrongly suggest to the perfomer that all variants are equally valid. 2 en Fa Majeur, Op. The division can be a matter of argument since complete editions often lack coherence and any common character. 3, op. This group includes a wide variety of editions. The Collectionâs scores for the work are described on the pages that follow. The first published work of Fr�d�ric Chopin was the Polonaise in g minor, which came out in Warsaw in 1817. A travers toutes ses Åuvres, le compositeur et virtuose Frédéric Chopin met avant tout le piano à lâhonneur. List of the most important editions published after 1859 Volumes were published between 1956 and 1993. A final mention for the editions of Waltzes prepared in 1920 by B. Bartok for the Hungarian house of Ferenc B�rd. only one of the available sources. Chopin 12 Studies: Op 25, Student's Edition by Chopin, Frederic; Cortot, Alfred; Parkinson, M. (Translator) and a great selection of related books, art and collectibles available now at AbeBooks.com. Depending on the critical sense of the editor, some of these publications represent an extreme course. Over the years these tendencies have gradually shaped into performing and editorial traditions and as such can today be subjected to scientific study. His commentaries are short and editorial interventions rather discrete. M. Schlesinger, S. Richault, Ign. Listen to Chopin: Oeuvres pour piano by Jean Dubé on Apple Music. 113", "Nocturne in E-Flat Major, Op. 3 Nouvelles Etudes(p.128-133; pl.12212a-c, 17323) 1. A variant of this tendency can be seen in a move to represent Chopin's output from a formal viewpoint. Aaron Dunn is raising funds for Set Chopin Free on Kickstarter! German editions of Chopin's works offered for sale in France were mostly based on German original editions. Editions were used as a vehicle of leaving an established performing tradition to posterity, but also fulfilled the purely personal ambitions of a famous teacher or pianist who would add his two cents to Chopin's musical text. In the second half of the 19th century the French music editing industry went through a period of serious crisis. Ses plus grandes Åuvres: Chopin, an album by Frédéric Chopin, Various Artists, Robert Stankovsky on Spotify. Passing to original editions posterior to 1849, we know that - with the exception of the Sonata op. Scholtz bases his works on a quite wide documentary base, yet his edition still contains numerous editorial interventions. This would substantiate the theory that each editor adopted his own fingering, which was based on Chopin's rules, but for the most part was not authentic. Before we comment on the most important of those tendencies, note should be taken of the gradual disappearance of publication of the single works, giving way to the publication of volumes, which at first adopted a chronological order of works, and later the publication by genre or form. The only relatively satisfactory publication is Mikuli's edition, which enjoyed a wide popularity and was often reproduced. Eccossaises; Fantaisies; Krakowiak; Marche funèbre. His numerous editorial interventions aimed at correcting the "Chopin orthography", completing and enriching harmonies, phrasing, dynamics, specifying the execution of ornaments: in a word the goal was to subjugate Chopin's works to Klindworth's own musical ideas, which by no means lacked internal logic. A matter of utmost importance for Chopin studies is the identification of first printings; this identification is in many cases problematic, particularly among German editions since publishers in Germany who published subsequent reprints of original editions did not, as did their counterparts in other countries, update their serial plate numbers. the use of warning signs, which is rarer than in other traditions). Within the series of the Leipzig publishing house of Peters only three volumes have so far been published: Preludes, Impromptus and Ballades. It can be supposed that he treated Klindworth's edition as a model, since the latter's solutions appear in Brugnoli's text with great frequency. Breitkopf & H�rtel, Leipzig, 1878-80. In 1859 the owner of the majority of the original French editions, Brandus (successors to M. Schlesinger), undertook the ambitious task of publishing Chopin's complete works in a series titled �dition originale / Oeuvres Complètes pour le piano de Fr�d�ric Chopin / Seule �dition authentique sans changements ni additions, publi�e d'après les �preuves corrig�es par l'auteur lui-même. Sources used were not exclusively original editions. No. 1.1. Title Revues, doigtées et soigneusement corrigées d'après les éditions de Paris, Londres, Bruxelles et Leipsic par Charles Klindworth Composer Chopin, Frédéric: I-Catalogue Number I-Cat. The first volume containing the four Ballades came out in 1967, the extensive commentary to this volume - in 1970. 4 and Variations on the theme of Der Schweitzer Bub - the publication of the remaining works took place against the wish of the composer, who on his deathbed ordered that all unfinished works be destroyed. 18, 10 and 25 to H. Lemoine in 1842; the Preludes op. Although they often refer to sources, instead of original editions these more often than not are corrected editions from the end of the 19th century. Leipzig, Fr. Catelin, Schonenberger, Troupenas, Pacini, Escudier Frères, Chabal, J. Meissonnier, Brandus et Cie. Fr. Unfortunately, editions other than authoritative sources, especially Mikuli's and Brahms', have influenced Kleczynski's work. In America teaching editions were prepared by R. Joseffy (Schirmer, 1894 and 1915-1918), in Britain, by Frank Merrick (Novello & Co., London, 1935-1953). Stellowsky, 1861. Fr. (Editors' names appear in capital letters), Editions published after the expiration of copyright. 28 were bought from Catelin by Brandus in 1846, whereas the Mazurka published in "La France Musicale" (nicknamed "Notre Temps"), originally belonging to the Escudier brothers, was subsequently published by Brandus in 1848. Due to their primary importance in the reconstruction of Chopin's original texts, original editions are relatively well researched today. It should then not come as a surprise that performing traditions had a direct influence on music editing, which in turn led to the appearance of new traditions. 1 en Sol Mineur, Op. The variety within this group is as great as in the previous one. The former focuses on the performing aspect while the latter is purely a source-critical edition. Share this project. A separate category is made up of numerous editions of the Italian publishing house of Lucca in Milan and single works published in Italy by Ricordi, Artaria and Canti. Frédéric Chopin (Frédéric François Chopin - in poloné : Fryderyk Franciszek Chopin) ch'est un grand pianisse.L'est né l'1 ed marche 1810 à Å»elazowa Wola, ( Duché d' Varsovie, Polonne) et pi l'est défuncté à Paris l'17 d'octobe 1849. In contrary to the French practice of adopting German text versions mechanically, many German editors consciously selected French variants which they deemed better than original German ones. The most widely known French edition of this type is Alfred Cortot's (Senart-Salabert, Paris, 1915-1939, 1941-1947). Schlesinger in turn sold opp. Friedrich Chopin's Werke. Frédéric Chopin was a renowned Polish and French composer who published his first composition at age 7 and began performing one year later. Another reason for the appearance of new editions lies in the conviction, generally accepted even until recently, that original editions of Chopin's works contained errors and inaccuracies, which to a large extent deformed the composer's intentions. The strongest influence on that tendency came from German publishing houses and it is generally accepted that modern notation is a child of the German tradition. The source base for the first published volumes overlooks many important documents, among them English original editions. It also failed to meet the approval of Ganche - editor of a later edition based on French original prints. The "sensitivity", depth and rigidity of the keyboard also increased. It has been preceded by an Introduction, published in 1974, in which editor-in-chief Jan Ekier outlined the editorial criteria of the project. This individual and varied character of Chopin's notation, often deformed already in the original editions, was further subject to simplification according to detailed canons of musical notation. The relatively simple but time-consuming and technically imperfect technique used in Chopin's time, i.e. Cheaper high-quality German editions flooded the French market to compete with domestic editions. Macquet in 1888 and then to C. Joubert in 1899 and was listed in the latter's catalogues well into the 20th century. Get this from a library! plates of individual pieces 12271-12274) 1. 12261, 270 pages total 1. 55 no. Finally, it is worth noting that the most acclaimed works of Chopin were published during the composer's lifetime in other countries than those mentioned above. One of the latest editions of the present category is the series published by the Japanese firm of Ongako-no Tomo and Zen-on Music Co. in 1973-1979, which combines the reprint of the urtext with a typical practice-oriented set of text annotations and commentaries to each works. 43, the Hexameron Variations). Adeline Charpentier tried to imitate Marmontel in a typically teaching-oriented publication Le Ma�tre de musique (Firmin-Didot Frères, Paris, 1870-1881), without much success. This issue was issued after the expiration of Chopin's copyright in Germany (1879). The comfortable practice of criticising these sources, though to an extent justified, today can only be seen as much exaggerated. the most authoritative sources. Les plus belles oeuvres de Chopin, qui est mon compositeur favoris. Biografie. Chopin's Werke. To classify editions published after the expiry of copyright is no easy task. Judging by the number of reprints, the former is one of the most popular editions on the market - which is not surprising as Klindworth was a pupil of Liszt and was a well-known and highly praised piano teacher. pl. 2 and the Funeral March were published separately with any frequency. Erste kritisch durchgesehene Gesamtausgabe. Poland is represented in this category by the work of A. Michalowski (Gebethner & Wolff, Warsaw, 1924 and 1930), partly based on the B�low edition. Editorial practice in this category focuses mainly on critical aspects. Despite declarations to the contrary, subsequent volumes of this edition have not been published to date. It is worth adding that this edition is based on consistent editorial criteria and that several volumes included critical commentaries, then a rarity. Kullak's (Schlesinger-Lienau, Berlin), Anton Door's (Cranz, Hamburg-Leipzig), S. Jadassohn's (Kahnt, Leipzig), A. Richter's (Schubert & Co., Leipzig), E. Bohn (Fiedler, Breslau), as well as the still somewhat controversial edition by Hans von B�low (Aibl, Munich). This does not exclude editorial inventions and does not mean that editorial progress has been eliminated. Que ce soit dans ses Nocturnes aux accents de réflexion mystique ou dans ses valses mélancoliques, Chopin vous laisse pénétrer son âme en profondeur : on y découvre un être expressif et sensible. Reprints of many works were published in Russia, America, Belgium and the Netherlands. Frederic Chopin, Polish French composer and pianist of the Romantic period, best known for his solo pieces for piano and his piano concerti. 1.1. Chopin's Pianoforte-Werke revidiert und mit Fingersatz versehen (zum gr�ssten Theil nach des Autors Notierungen) von Carl MIKULI. În capitala francezÄ îÈi consolideazÄ reputaÈia ca interpret, profesor Èi compozitor, adoptând totodatÄ numele de âFrédéric ⦠MLA Citation Ballade No.4, Op.52(p.29-40) 1. Critical assessment of existing editorial practices has always strongly stimulated music editing. It thus seems plausible that these texts served as a basis for numerous French editions of a later period. In reality most editors from that period almost never used the then widely available original editions and limited themselves to perfecting previously corrected editions. [Ape] Progetto Musica Classica + Cue (Lossless Crew) | FREDERIC CHOPIN (1810-1849)OEUVRES POUR PIANOALFRED CORTOT (1877-1962) ::->COVER-::::->DATI ALBUM-::Autore: Frederic ChopinTitolo: Oeuvres pour pianoGenere: Musica ClassicaAnno: 1991Etichetta: EMIEsecutori: Alfred Cortot, piano::->TRACKLIST ⦠Paris, S. Richault, 1860. Although the use of sources is widespread, these do not usually constitute the nucleus of the editor's argumentation. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Given the abundance of such publications their presentation in chronological order would be everything but easily readable. Seule �dition authentique. The Tellefsen edition was criticised by Mikuli, editor of a similar publication. plates of individual pieces 12271-12274), 3. Such is the case of two editions: Charles Klindworth's (published in Moscow by Jurgenson in 1873-1876) and Attilio Brugnoli's (Milan, Ricordi, 1923-1937). Publications include the edition corrected by Jan Kleczynski (Gebethner & Wolff, Warsaw 1882), which includes variants passed on by "the most acclaimed pupils" of Chopin. Paris, Heugel & Cie, 1860-63, 1887-89. To go directly to a description, click the scoreâs imprint in the Bookmarks panel on the left. With time he has been acknowledged as counting among the "great classics", whose works were played not only by a handful of virtuosos, but also by numerous conservatory students, the latter often in need of additional precision in editing and performing indications. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. 11. This series, mostly composed of original editions, was published over several years until 1878. 23 remaining works were published subsequently in various countries, ending in 1965 when a partially reconstructed set of Variations on Moore's aria saw the light. Oeuvres de Frédéric Chopin Alt ernative. Friedman limits his research to German editions. Such was the case of works originally purchased by Pleyel (opp. The latter group also includes French editions by C. D�bussy (Durant, 1915-1916), L. L�vy (Senart, 1915-1919), L. Di�mer (Lemoine, 1915-1918), L. Wurmser, M. Moszkowski, C. Galeotti, M. J. Riss-Arbeau, A. Casella (�dition Fran�aise de Musique Classique - Heugel, 1916-1924) and S. Weksler (Choudens, 1928), as well as German editions by L. K�hler (Litolff, 1880-1885), X. Scharwenka (Schott, 1909-1913) and E. von Sauer (Schott, 1917-1920), and finally the edition of Raoul Pugno (Universal Edition, Vienna, 1902). Revues, doigtées et soigneusement corrigées d'après les éditions de Paris, Londres, Bruxelles et Leipsic par Charles Klindworth, 1. First-edition imprints of a work by Chopin are shown below. This tendency was relatively rare and can be traced to a larger extent in editions of single works than in complete editions. Check out Le Poète du Piano â des Åuvres de Frédéric Chopin, Virtuose du Piano, Musique de la Période Romantique, Célèbre Pianist et Grand Maître Chopin, Debussy Mémoire de Chopin by Grand Compositeur Académie on Amazon Music. Plate No. In the instance of the Waltz op. 1), thus allowing the performer to study Chopin's original notation and details of the editorial work. It seems likely that many new editions of Breitkopf & H�rtel date from after 1849. Herausgegeben von Woldemar BARGIEL, Johannes BRAHMS, Auguste FRANCHOMME, Franz LISZT, Carl REINECKE, Ernst RUDORFF. The author has sought to remain impartial. 9 No. 13. Gabriela Montero (born May 10, 1970) is a Venezuelan pianist, known in particular for her real-time improvisation of complex musical pieces on themes suggested by her audience and other sources, as well as for performances of ⦠The edition of the Viennese house Wiener Urtext, prepared by Bernhard Hanse, J�rg Demus, Paul Badura-Skoda and Jan Ekier, is also noteworthy.
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