Thanks! This is such a pleasure to use and the results are just as satisfying, even with the fairly modest pixel count of the Panasonic Lumix G6. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! An update to the original Panasonic Lumix 20mm f/1.7 ASPH. Meanwhile, Panasonic builds image stabilization into the lenses and not cameras. It is likely to spend more time attached to the camera than any specialty lens. Theses super high-end models have maximum apertures of f/0.95 (that is not a misprint), making them among the brightest and fastest on the market for any type of camera. The Olympus M.Zuiko Digital 8mm f/1.8 Fisheye Pro - By producing a diagonal fisheye lens with a fast f/1.8 maximum aperture, Olympus has created something unique. The Panasonic Lumix G X VARIO 12-35mm f/2.8 is a weather-sealed professional spec zoom lens that delivers sharp, contrasty images that have low CA and distortion. Our top pick is the 16mm f/1.4, which is fast, sharp, and focuses quickly. You can even eliminate it completely if you have a retractable monopod attached. If you’re looking to compare depth-of-field with full frame, then you’ll also need to double the f-number – so a 25mm f1.4 lens will deliver images with coverage and depth-of-field equivalent to a 50mm f2.8 lens on full frame. My favourite three high-end general-purpose zooms are the Olympus M.Zuiko Digital ED 12-40mm f2.8 PRO (which offers a useful 24-80mm equivalent range with a constant f2.8 aperture but no optical stabilisation), the Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 OIS (costing a tad more and losing the constant aperture, but extending the range to 24-120mm equivalent and including optical stabilisation), and the Olympus M.Zuiko Digital ED 12-100mm f4 IS PRO (which costs around 50% more, but boasts an even longer 24-200mm equivalent range, as well as being one of the few Olympus lenses with optical stabilisation). Panasonic makes a 45mm f/2.8 with 1:1 magnification and better sharpness, although it costs nearly $800. The Samyang 35mm f/1.2 ED AS UMC CS manual focus lens is suitable for all APS-C mirrorless cameras, including Micro Four Thirds, giving a 70mm equivalent, and a bright f/1.2 aperture. View cart for details. Check prices on the Sigma 56mm f1.4 at Amazon, B&H, Adorama, or Wex. For more background information, see our Micro Four Thirds lens comparison table and buying advice below the picks. That’s why if you have a Panasonic camera but pair it with Olympus lenses, you won’t have image stabilization of any kind. Here's a value play and fun compliment to many of the lenses above: the versatile Panasonic 35-100mm f/4-5.6 is available for less than $250. Panasonic 35-100mm f/2.8 II. You can see the full f-stop scale here, and lower numbers make for more desirable (and expensive) lenses. What it makes in dim light and golden hour is just incredible. Aspherical AF G Lens, 42 product ratings - MINT Olympus M.Zuiko 9-18mm f/4.0-5.6 Aspherical ED Micro 4/3 Lens, 14 product ratings - Rokinon 12mm F/2 High Speed Ultra Wide Angle Lens For Micro Four Thirds Camera, 5 product ratings - Olympus M.Zuiko Digital 17mm F/1.8 Wide Angle Lens, 7 product ratings - MINT Olympus M.Zuiko 75-300mm f/4.8-6.7 AF ED Micro 4/3 Telephoto Zoom Lens, 8 product ratings - Panasonic Lumix G 20mm f/1.7 II Aspherical AF G Lens (Black), 50 product ratings - Panasonic Lumix G Vario 45-200mm f/4.0-5.6 Aspherical Mega O.I.S Lens, 1 product ratings - Olympus M.Zuiko Digital 17mm f1.8 1:1.8 Wide Angle Lens, 4 product ratings - Rokinon 12mm T2.2 Cine Lens for Micro Four Thirds, 35 product ratings - Panasonic Lumix G Vario 100-300mm f/4.0-5.6 Mega O.I.S Lens MFT Om-D E-M5 M10, 35 product ratings - Olympus M.Zuiko Digital 17mm f/2.8 Single focus pancake japan Lens Silver Exc+++, 11 product ratings - Samyang 7.5mm fisheye lens for m4/3 micro 4/3, Go to previous slide - Sponsored Listings, Slide {current_page} of {total_pages} - You May Also Like, - DZOFILM 10-24mm T2.9 MFT Parfocal Cinema Style Zoom Lens, - Olympus M. Zuiko Digital ED 12-100mm F/4.0 Pro Lens - Used, - Panasonic Lumix G Vario 12-32mm f/3.5-5.6 ED Mega O.I.S Asph Zoom Lens, - Olympus M.Zuiko Digital 12-200mm F/3.5-6.3 ED MSC Micro 4/3 Mount Lens, - Panasonic Lumix G Vario 14-140mm f/4-5.8 Aspherical Mega O.I.S ED Lens micro 4/3, - MINT Olympus M.Zuiko 9-18mm f/4.0-5.6 Aspherical ED Micro 4/3 Lens, - Rokinon 12mm F/2 High Speed Ultra Wide Angle Lens For Micro Four Thirds Camera, - MINT Olympus M.Zuiko 75-300mm f/4.8-6.7 AF ED Micro 4/3 Telephoto Zoom Lens, - Panasonic Lumix G 20mm f/1.7 II Aspherical AF G Lens (Black). It's a tough call between the Panasonic 12-35mm f/2.8 and the Olympus 12-40mm f/2.8 above. Find the right DSLR lens for every photographic opportunity. This is my favorite model among M.Zuiko lenses that I constantly use for travel photographs. A relatively small matrix allows not to close the aperture much and zoom scale is really very large. However, that effect can be used to add an artistic feel to each photograph, which isn’t offered by other Micro 4/3 lenses. There's a very slight improvement in resistance to flare, as well as a contrast and the redesign has also improved the position of the surrounding plastic closest to the lens. To exploit Dual IS, you’ll need to mount a Dual IS lens on a Dual IS body, which means sticking with Panasonic pairings. This means that lenses from Olympus, Zuiko, Panasonic, Leica, Samyang, and Sigma are interchangeable on cameras from Panasonic and Olympus with micro four-thirds mounts. In terms of other macro options, the Micro Four Thirds lineup is surprisingly scarce. The only models we really try to avoid are the kit zoom lenses that come with the camera body (the Olympus 14-42mm f/3.5-5.6, for example). to 150-600mm full frame. For example, if you are a wedding or event photographer, the ever-popular 24-70mm f/2.8 focal length is really tough to beat. Cheap zoom lenses feature a max aperture of f/4 or slower. Falloff of illumination towards the corners is fairly typical for a lens of this type and the petal-shaped hood does an excellent job of shielding the lens from extraneous light that may cause issues with flare. This model is the best choice for macro photography. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! The quality of a camera is crucial in making and having a good shot and video. But if you’d still prefer a premium zoom lens with an upgrade in range, brightness, build or overall quality over a kit model, or are perhaps choosing a first zoom for a higher-end body, there are plenty of compelling options available. The AF speed is stunning. CA levels are low, distortion is very well controlled and flare is rarely an issue. Panasonic Leica DG Summilux 12mm f/1.4 ASPH, Olympus M. Zuiko Digital 7-14mm f/2.8 PRO, Olympus M.Zuiko Digital 7-14mm f/2.8 PRO lens, Olympus 45mm f/1.8 Zuiko Digital Micro Four Thirds, Olympus 45mm f/1.8 Zuiko Digital Micro Four Thirds lens, Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH lens. When the qualities of these are concerned it should be added that it depends on the quality of lenses. There are many 25mm lenses available in the Micro Four Thirds catalogues (delivering 50mm equivalent coverage) and I’ll mention some higher-end options later, but to kick-off this guide I’m going to recommend the Panasonic Lumix G 25mm f1.7, one of the cheapest lenses available for Micro Four Thirds, and a no-brainer for anyone wanting to start exploring creative photography. Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH, PANASONIC LUMIX G LEICA DG VARIO-ELMARIT PROFESSIONAL LENS, 12-60MM, F2.8-4.0 AS, Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO, Panasonic Leica DG Elmarit 200mm f/2.8 Power O.I.S, Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4.0 ASPH, Panasonic Lumix G 30mm f/2.8 ASPH Macro lens, Panasonic Lumix G X Vario 35-100mm f/2.8 APSH. Separately, I want to note fast and precise focusing where the distance range manually limited. I can confidently say that this lens can handle any subject including animals, birds, sportsmen, travel photographs and landscapes. A definite Editor's Choice. Both deliver approximately 85mm equivalent coverage, the classic short telephoto beloved by portrait shooters, combined with very bright apertures and attractive rendering. Those with existing Panasonic optics may also find the compact size and manual zoom control appealing. Amazon US, With a robust, dust- and splashproof construction, this lens is ready for all eventualities. Lens, Opteka 420-800mm / 840-1600mm f/8.3-16 HD Telephoto Zoom Lens with 15 Piece Bundle, Opteka High Definition 500mm f/8.0 HD MF MC Lens For Canon, Sigma DC DN 56mm F1.4 Micro Four Thirds Mount Standard Lens - Black, Olympus M.Zuiko 12-40mm f/2.8 Pro ED Digital Zoom Lens - Black, Panasonic Lumix G Vario 7-14mm f/4 AE Aspherical AF ED Lens - Black, Sigma 56mm f/1.4 DC DN Contemporary Lens for Sony E, Panasonic Lumix G Vario 100-300mm F/4.0-5.6 II AF OIS Lens, Olympus V315040BU000 75-300mm F/4.8-6.7 II ED Lens, Olympus M.Zuiko 40-150mm f/4.0-5.6 Zoom Lens - Black, Olympus M.Zuiko Digital ED 60mm f/2.8 Macro Lens - Black, Olympus M.Zuiko 14-150mm f/4.0-5.6 II ED Lens For Four Thirds, Panasonic H-H025K Lumix G Lens 25mm F1.7 ASPH Mirrorless Micro Four Thirds, Olympus M.Zuiko Digital ED 14-42mm Lens - Black, Panasonic LUMIX G LEICA DG SUMMILUX 15mm /F1.7 ASPH. The Sigma 56mm f/1.4 DC DN C offers fantastic performance, superb sharpness in particular, and a reasonable price tag. read more, Olympus M.Zuiko Digital ED 8mm f/1.8 Fisheye Pro, Olympus M.Zuiko Digital ED 60mm f/2.8 Macro, Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II, REAL ESTATE PHOTOGRAPHY TIPS FOR BEGINNERS. Search for all the latest photography gear and services in our dedicated photography directories. Choose one of these affordable, No camera data transfer due to lack of wiring, Can’t instantly switch to manual focusing, If you like taking architecture pictures, view more about the, Nice sharpness even with an open aperture. Having two major camera companies produce lenses for the same system coupled with being the first to launch a native mirrorless system means Micro Four Thirds also enjoys more lenses than any other mirrorless rivals. I like the large focal range of 75-30mm, which is equiv. Why is the Olympus 7-14mm Pro ranked here? Category: Street/travel35mm equivalent: 40mmWeight: 3.1 oz.What we like: Low profile and light. The price of this lens revolves around 300 pounds. Peter. Mirrorless cameras haven't been around as long as DSLRs, and therefore the lens offerings generally are more limited. You can up the ante to the Panasonic Leica 25mm f1/.4 at $598, which is a great lens but a much more significant investment than the f/1.7 for a marginal increase in speed. Some people decide to use adapters for their Canon or Nikon DSLR lenses, or even from other mirrorless set-ups like Sony e-mount. When the price for this one is concerned, it goes at about 300 pounds. Besides, this lens offers remarkable sharpness even with an open aperture. Unlike many all-in-one lenses, it's sharp throughout its zoom range, has low levels of distortion, and does surprisingly well in low light. Olympus M.Zuiko Digital ED 45mm f/1.2 PRO, Panasonic Lumix G VARIO 14-42mm f/3.5-5.6 II, Panasonic Lumix G Vario 14-42mm f/3.5 - 5.6 II, Sigma AF 16mm f/1.4 DC DN Contemporary lens. Picture quality is superb and outstanding sharpness combined with fast and silent AF, a highly effective IS and very well controlled CA make this lens an excellent choice. If you don't need image stabilization (the Panasonic does have Power O.I.S. The price is still low and the quality you get is nice. However, given the large amount of video shooters that use Panasonic and the GH5 in particular, it makes total sense that it would be a sought-after feature on Panasonic lenses. At an equivalent of 200-600mm, it's all that most wildlife photographers need. It's hard to argue with the versatility of an all-in-one lens, and particularly if the image quality is there to back it up. As the name insinuates, this lens was built with professionals and enthusiasts in mind: it's noticeably sharp, has a fast aperture of f/2.8, a durable metal construction that is weather sealed, and a nifty manual focus ring for composing your own shots. 2.8 in manual lenses? However, the Micro Four Thirds format is flush with options and you can choose between any model manufactured by Olympus or Panasonic.
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